The Names of Minimalism : Authorship, Art Music, and Historiography in Dispute /
Minimalism stands as the key representative of 1960s radicalism in art music histories-but always as a failed project. In The Names of Minimalism, Patrick Nickleson holds in tension collaborative composers in the period of their collaboration, as well as the musicological policing of authorship in t...
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Ann Arbor:
University of Michigan Press,
2023.
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| Rangatū: | Book collections on Project MUSE.
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| Ngā marau: | |
| Urunga tuihono: | Full text available: |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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Rārangi ihirangi:
- Introduction: "La Monte Young Does Not Understand 'His' Work"
- One Policing Process: Music as a Gradual Process and Pendulum Music
- Two Writing Minimalism: The Theatre of Eternal Music and the Historiography of Drones
- Three The Lessons of Minimalism: The Big Four and the Pedagogic Myth
- Four Indistinct Minimalisms: Punk, No Wave, and the Death of Minimalism
- Conclusion: The Names of Minimalism