The White Indians of Mexican Cinema : Racial Masquerade throughout the Golden Age /
"Examines the filmic representation of Whiteness as Indigeneity and its role in mediating racial politics in Mexico"--
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Albany :
State University of New York Press,
[2022]
|
| Rangatū: | Book collections on Project MUSE.
|
| Ngā marau: | |
| Urunga tuihono: | Full text available: |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Idealized pre-Colombian womanhood
- Taming the Tehuana
- Revolutionary politics, colonized aesthetics
- Reframing Mestizaje: white, Myans, Indigenous spirituality, and Cenote suicides
- María Isabel: a white Indita for modern Mexico
- Indios, desire, and the white Mexican woman.