An Actor-Network Analysis of the Use of the World Wide Web in a Kenyan Newsroom’s Journalistic Practice: A Case Of Capital Fm

Doctor of Philosophy in Communication

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Bibliographic Details
Main Author: Wamunyu, Irene Wambui
Format: Thesis
Language:English
Published: Daystar University, School of Communication 2020
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Online Access:https://repository.daystar.ac.ke/handle/123456789/3299
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author Wamunyu, Irene Wambui
author_facet Wamunyu, Irene Wambui
author_sort Wamunyu, Irene Wambui
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description Doctor of Philosophy in Communication
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institution Daystar University
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publisher Daystar University, School of Communication
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spelling ir-123456789-32992024-02-21T16:17:10Z An Actor-Network Analysis of the Use of the World Wide Web in a Kenyan Newsroom’s Journalistic Practice: A Case Of Capital Fm Wamunyu, Irene Wambui Actor-Network Analysis World Wide Web Newsroom’s Journalistic Practice Capital Fm Journalism Hierarchies Multimediality Hypertextuality Interactivity Doctor of Philosophy in Communication The incorporation of digital technologies in for-profit newsrooms has led to disruptions in journalism hierarchies, business models, norms, and practices across the world. In African newsrooms, these disruptions have received a paucity of scholarly attention, and even those have tended towards policy and regulatory matters, or normative analyses founded on the Western liberal democratic model. This study interrogated the incorporation of the web in Kenyan journalistic practice by following the process as undertaken at Capital FM, the country’s pioneer commercial radio station. The study set out to establish the human and technological actors engaged in journalistic practice at Capital FM, as well as determine the nature of interaction among those actors, and the outcomes of those interactions. The research used a socio-technical theoretical lens and applied case study research design with four data collection tools, namely observation, interviews, netnography, and document review. The study used a six-step framework to reduce, organise and evaluate the data. Actor-network theory informed the identification of the actors, their interactions, and the outcomes of those interactions. A thematic analysis was also applied to more deeply interrogate and interpret the data. The two analytical approaches established that Capital FM practiced a networked journalism enacted by multiple human, technological and corporate actants, resulting in modifications and disruptions that were manifested in various efforts of labour, controversies, movement among actors, new roles, and spatial location. New roles were enrolled into journalistic practice, and new practices had become routinised. Audiences had acquired a powerful role through web metrics which informed journalists’ routines and sense of self-identity. Journalistic practice had a new definition, and the blurring of lines between editorial and promotional content had opened new lines of revenue generation even while disrupting the normative values underlying news production. Globalised practices, such as the use of open-source applications, had standardised aspects of the journalism enacted in geographically diverse networked newsrooms. The study also held that actor-network theory was useful in interrogating power dynamics within a networked newsroom context. The study further posited that a new type of commercial news media company had emerged in the Kenyan context, and was defined under the following thematic categories: organisational culture, key decision makers, content, revenue, and infrastructure. The study recommended greater collaboration and interaction between personnel in the two spatial locations to promote greater innovation around content development and an increased understanding among all of the web’s potential as a news platform. It also posited that the web was treated as an online version of a newspaper. This frequently limited the news content to two-dimensional presentations of news yet human actants in the news production process could make greater use of the web’s multimediality, hypertextuality, and interactivity. The study also called for greater reflection among media houses about the implications of the new revenue generation opportunities vis-à-vis journalistic practice. Daystar University, School of Communication 2020-10-12T10:15:46Z 2020-10-12T10:15:46Z 2017-11 Thesis Wamunyu, I. W., (2017). An Actor-Network Analysis of the Use of the World Wide Web in a Kenyan Newsroom’s Journalistic Practice: A Case Of Capital Fm. Daystar University, School of Communication, Nairobi. Thesis https://repository.daystar.ac.ke/handle/123456789/3299 en application/pdf Daystar University, School of Communication
spellingShingle Actor-Network Analysis
World Wide Web
Newsroom’s Journalistic Practice
Capital Fm
Journalism Hierarchies
Multimediality
Hypertextuality
Interactivity
Wamunyu, Irene Wambui
An Actor-Network Analysis of the Use of the World Wide Web in a Kenyan Newsroom’s Journalistic Practice: A Case Of Capital Fm
title An Actor-Network Analysis of the Use of the World Wide Web in a Kenyan Newsroom’s Journalistic Practice: A Case Of Capital Fm
title_full An Actor-Network Analysis of the Use of the World Wide Web in a Kenyan Newsroom’s Journalistic Practice: A Case Of Capital Fm
title_fullStr An Actor-Network Analysis of the Use of the World Wide Web in a Kenyan Newsroom’s Journalistic Practice: A Case Of Capital Fm
title_full_unstemmed An Actor-Network Analysis of the Use of the World Wide Web in a Kenyan Newsroom’s Journalistic Practice: A Case Of Capital Fm
title_short An Actor-Network Analysis of the Use of the World Wide Web in a Kenyan Newsroom’s Journalistic Practice: A Case Of Capital Fm
title_sort actor-network analysis of the use of the world wide web in a kenyan newsroom’s journalistic practice: a case of capital fm
topic Actor-Network Analysis
World Wide Web
Newsroom’s Journalistic Practice
Capital Fm
Journalism Hierarchies
Multimediality
Hypertextuality
Interactivity
url https://repository.daystar.ac.ke/handle/123456789/3299
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