Opera at the bandstand : then and now /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Lanham, MD :
Scarecrow Press,
[2014]
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- The Dodworth bands and Jullien's example
- Patrick S. Gilmore, his jubilees, and the Anvil chorus
- Mr. Gilmore and his 22nd Regiment Band
- John Philip Sousa, the Marine Band, and Sousa's band
- John Philip Sousa : summers in Coney Island and winters in Rochester, New York
- John Philip Sousa : Willow Grove Park, Pennsylvania
- The rise of dance bands : Herbert L. Clarke and the Long Beach Municipal Band
- The U.S. Marine Band and contemporary civilian bands
- Edward Franko Goldman and the Goldman Band
- The decline of the Goldman Band, Frederick Fennell, and the rise of the wind ensemble.