African spirituality in Black women's fiction threaded visions of memory, community, nature, and being /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Lanham, Md. :
Lexington Books,
2011.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- From Africa to America
- Wheatley as beginning
- African and Christian encounters in early Black women's writings
- Silencing Africa: Christianity's persistent voice in early Black women's novels
- Christianity and a reawakening Africanity: Black spirituality in the post-reconstruction novels of Frances E. W. Harper and Pauline Hopkins
- Rethinking religiosity in the wake of modernity: transformations of Christian idealisms in the novels of Jessie Fauset
- Transformed religiosities: Africanity and Christianity in Nella Larsen's Quicksand and Zora Neale Hurston's Jonah's gourd vine and Their eyes were watching God.