What makes music European looking beyond sound /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Lanham, Md. :
Scarecrow Press, Inc.,
2012.
|
| Ráidu: | Europea ;
no. 12. |
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Lasit fáddágilkoriid
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
Sisdoallologahallan:
- Who makes the music (and why we all are composers). Composing as we think of it, composing as we do it ; Oral transmission (more than playing or singing by ear) ; Improvisation and the collective dimension ; when "we" get the music
- Originality, identity, ideology and taste. Should music be original, how much can it be ; Why people identify of organized sound ; Why is music so ideological ; How can we face different musics ; Why we misunderstand the music of all times and places and do we much enjoy doing so ; How much of a good thing ; Musical gardens and greenhouses vs. woods and prairies
- The tangible aspects of music-making. The social value of music ; Musical value and its locations.