Opera in the novel from Balzac to Proust
"The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark...
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| Materialtyp: | Elektronisk E-bok |
| Språk: | engelska |
| Publicerad: |
Cambridge [England] ; New York :
Cambridge University Press,
2011.
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| Serie: | Cambridge studies in opera.
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| Ämnen: | |
| Länkar: | An electronic book accessible through the World Wide Web; click to view |
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| 010 | |z 2010037676 | ||
| 020 | |z 9780521118903 (hardback) | ||
| 020 | |z 9780511989155 (e-book) | ||
| 040 | |a CaPaEBR |c CaPaEBR | ||
| 035 | |a (OCoLC)712593982 | ||
| 050 | 1 | 4 | |a PQ653 |b .N45 2011eb |
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| 100 | 1 | |a Newark, Cormac, |d 1972- | |
| 245 | 1 | 0 | |a Opera in the novel from Balzac to Proust |h [electronic resource] / |c Cormac Newark. |
| 260 | |a Cambridge [England] ; |a New York : |b Cambridge University Press, |c 2011. | ||
| 300 | |a ix, 287 p. | ||
| 490 | 1 | |a Cambridge studies in opera | |
| 504 | |a Includes bibliograpical references and index. | ||
| 505 | 8 | |a Machine generated contents note: Introduction; 1. Balzac, Meyerbeer and science; 2. 'Tout entier?': scenes from grand ope;ra in Dumas and Balzac; 3. The novel in opera: residues of reading in Flaubert; 4. Knowing what happens next: opera in Verne; 5. 'Vous qui faites l'endormie': the Phantom and the buried voices of the Paris Ope;ra; 6. Proust and the soire;e ... l'Ope;ra chez soi; Envoi; Bibliography. | |
| 520 | |a "The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Come;die humaine to Proust's �A la recherche du temps perdu, by way of (among others) Dumas p�ere's Le Comte de Monte-Cristo and Leroux's Le Fant�ome de l'Ope;ra. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts. The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience"-- |c Provided by publisher. | ||
| 533 | |a Electronic reproduction. |b Palo Alto, Calif. : |c ebrary, |d 2011. |n Available via World Wide Web. |n Access may be limited to ebrary affiliated libraries. | ||
| 650 | 0 | |a French fiction |y 19th century |x History and criticism. | |
| 650 | 0 | |a French fiction |y 20th century |x History and criticism. | |
| 650 | 0 | |a Opera in literature. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a ebrary, Inc. | |
| 830 | 0 | |a Cambridge studies in opera. | |
| 856 | 4 | 0 | |u http://site.ebrary.com/lib/daystar/Doc?id=10455721 |z An electronic book accessible through the World Wide Web; click to view |
| 999 | |c 196309 |d 196309 | ||