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Opera in the novel from Balzac to Proust

"The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark exami...

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Kaydedildi:
Yazar: Newark, Cormac, 1972-
Müşterek Yazar: ebrary, Inc
Materyal Türü: Elektronik Ekitap
Dil:İngilizce
Baskı/Yayın Bilgisi: Cambridge [England] ; New York : Cambridge University Press, 2011.
Seri Bilgileri:Cambridge studies in opera.
Konular:
French fiction > 19th century > History and criticism.
French fiction > 20th century > History and criticism.
Opera in literature.
Electronic books.
Online Erişim:An electronic book accessible through the World Wide Web; click to view
Etiketler: Etiketle
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008 100901s2011 enk sb 001 0 eng d
010 |z  2010037676 
020 |z 9780521118903 (hardback) 
020 |z 9780511989155 (e-book) 
040 |a CaPaEBR  |c CaPaEBR 
035 |a (OCoLC)712593982 
050 1 4 |a PQ653  |b .N45 2011eb 
082 0 4 |a 843/.8093578  |2 22 
100 1 |a Newark, Cormac,  |d 1972- 
245 1 0 |a Opera in the novel from Balzac to Proust  |h [electronic resource] /  |c Cormac Newark. 
260 |a Cambridge [England] ;  |a New York :  |b Cambridge University Press,  |c 2011. 
300 |a ix, 287 p. 
490 1 |a Cambridge studies in opera 
504 |a Includes bibliograpical references and index. 
505 8 |a Machine generated contents note: Introduction; 1. Balzac, Meyerbeer and science; 2. 'Tout entier?': scenes from grand ope;ra in Dumas and Balzac; 3. The novel in opera: residues of reading in Flaubert; 4. Knowing what happens next: opera in Verne; 5. 'Vous qui faites l'endormie': the Phantom and the buried voices of the Paris Ope;ra; 6. Proust and the soire;e ... l'Ope;ra chez soi; Envoi; Bibliography. 
520 |a "The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Come;die humaine to Proust's �A la recherche du temps perdu, by way of (among others) Dumas p�ere's Le Comte de Monte-Cristo and Leroux's Le Fant�ome de l'Ope;ra. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts. The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience"--  |c Provided by publisher. 
533 |a Electronic reproduction.  |b Palo Alto, Calif. :  |c ebrary,  |d 2011.  |n Available via World Wide Web.  |n Access may be limited to ebrary affiliated libraries. 
650 0 |a French fiction  |y 19th century  |x History and criticism. 
650 0 |a French fiction  |y 20th century  |x History and criticism. 
650 0 |a Opera in literature. 
655 7 |a Electronic books.  |2 local 
710 2 |a ebrary, Inc. 
830 0 |a Cambridge studies in opera. 
856 4 0 |u http://site.ebrary.com/lib/daystar/Doc?id=10455721  |z An electronic book accessible through the World Wide Web; click to view 
999 |c 196309  |d 196309 

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