World weavers globalization, science fiction, and the cybernetic revolution /
সংরক্ষণ করুন:
| সংস্থা লেখক: | |
|---|---|
| অন্যান্য লেখক: | , , |
| বিন্যাস: | বৈদ্যুতিক বৈদ্যুতিন গ্রন্থ |
| ভাষা: | ইংরেজি |
| প্রকাশিত: |
Hong Kong :
Hong Kong University Press,
c2005.
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| বিষয়গুলি: | |
| অনলাইন ব্যবহার করুন: | An electronic book accessible through the World Wide Web; click to view |
| ট্যাগগুলো: |
ট্যাগ যুক্ত করুন
কোনো ট্যাগ নেই, প্রথমজন হিসাবে ট্যাগ করুন!
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সূচিপত্রের সারণি:
- From semaphors and steamships to servers and spaceships: the saga of globalization, science fiction, and the cybernetic revolution / Gary Westfahl
- Going mobile: tradition, technology, and the cultural monad / George Slusser
- Urge et Orbe: a prehistory of the postmodern world city / Howard V. Hendrix
- 2001, or a cyberpalace odyssey: toward the ideographic imagination / Takayuki Tatsumi
- The genealogy of the cyborg in Japanese popular culture / Sharalyn Orbaugh
- Hermeneutics and Taiwan science fiction / Wong Kin Yuen
- Is utopia obsolete? Imploding boundaries in Neal Stephenson's The diamond age / N. Katherine Hayles
- Tales of futures passed: the Kipling continuum and other lost worlds of science fiction / Andy Sawyer
- Globalization in Japanese science fiction, 1900 and 1963: The seabed warship and its re-interpretation . Thonmas Schnellbacher
- The limits of "humanity" in comparative perspective: Cordwainer Smith and the Soushenji / Lisa Raphals
- The idea of the Asian in Philip K. Dick's The man in the high castle / Jake Jakaitis
- Godzilla's travels: the evolution of a globalized gargantuan / Gary Westfahl
- Black secret technology: African technological subjects / Gerald Gaylard
- The teeth of the new cockatoo: mutation and trauma in Greg Egan's Teranesia / Chris Palmer
- When cyberfeminism meets Chinese philosophy: computer, weaving and women / Amy Kit-sze Chan
- Hollywood enters the dragon / V�eronique Flambard-Weisbart
- Romeo must die: action and agency in Hollywood and Hong Kong action films / Susanne Rieser and Susanne Lummerding.