Contemplating art essays in aesthetics /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Oxford : Oxford ; New York :
Clarendon Press ; Oxford University Press,
2006.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- The irreducible historicality of the concept of art
- Artworks as artifacts
- Emotion in response to art
- Elster on artistic creativity
- Sound, gesture, space, and the expression of emotion in music
- Musical expressiveness as hearability-as-expression
- Nonexistent artforms and the case of visual music
- Music as narrative and music as drama
- Film music and narrative agency
- Evaluating music
- Musical thinking
- Musical chills
- Wollheim on pictorial representation
- What is erotic art?
- Erotic art and pornographic pictures
- Two notions of interpretation
- Who's afraid of a paraphrase?
- Hypothetical intentionalism : statement, objections, and replies
- Aesthetic properties, evaluative force, anddifferences of sensibility
- What are aesthetic properties?
- Schopenhauer's aesthetics
- Hume's Standard of taste : the real problem
- The concept of humor
- Intrinsic value and the notion of a life.