Music and the Irish literary imagination
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Oxford ; New York :
Oxford University Press,
2008.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Words for music : in search of the Irish Omphalos
- The auditory imagination of Thomas Moore
- W.B. Yeats and the music of poetry
- Why J.M. Synge abandoned music
- Opera and drama : Bernard Shaw and "The brandy of the damned"
- The 'thought-tormented music' of James Joyce
- Words after music : Samuel Beckett after Joyce
- Operas of the Irish mind : Brian Friel and music
- Words alone : Seamus Heaney, music, and the jurisdiction of literary forms.