Technicolored : reflections on race in the time of TV /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Durham ; London :
Duke University Press,
[2018]
|
| Rangatū: | Camera obscura book (Duke University Press)
|
| Ngā marau: | |
| Urunga tuihono: | Click to View |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction: black and white and technicolored: channeling the TV life
- What's in a game?: quiz shows and the "prism of race"
- "Those thrilling days of yesteryear": stigmatic blackness and the rise of technicolored TV
- The Shirley Temple of my familiar : take two
- Interracial loving : sexlessness in the suburbs of the 1960s
- "A credit to my race": acting Black and Black acting from Julia to Scandal
- A clear and present absence: Perry Mason and the case of the missing "minorities"
- "Soaploitation": getting away with murder in primetime
- The Punch and Judge Judy shows: really real TV and the dangers of a day in court
- The autumn of his discontent: Bill Cosby, fatherhood, and the politics of palatability
- The "thug default": why racial representation still matters
- Epilogue: final spin: "that's not my food".