Women's experimental cinema critical frameworks /
محفوظ في:
| مؤلف مشترك: | |
|---|---|
| مؤلفون آخرون: | |
| التنسيق: | الكتروني كتاب الكتروني |
| اللغة: | الإنجليزية |
| منشور في: |
Durham :
Duke University Press,
2007.
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| سلاسل: | e-Duke books scholarly collection.
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| الموضوعات: | |
| الوصول للمادة أونلاين: | Click to View |
| الوسوم: |
إضافة وسم
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جدول المحتويات:
- Swing and sway: Marie Menken's filmic events / Melissa Ragona
- Different/same/both/neither: the polycentric cinema of Joyce Wieland / Paul Arthur
- Excavating visual fields, layering auditory frames: signature, translation, resonance, and Gunvor Nelson's films / Chris Holmlund
- Moving and moving: from minimalism to Lives of performers / Noel Carroll
- Eye/body: the cinematic paintings of Carolee Schneemann / M. M. Serra and Kathryn Ramey
- "Absently enchanted": the apocryphal, ecstatic cinema of Barbara Rubin / Ara Osterweil
- Amy Greenfield: film, dynamic movement, and transformation / Robert A. Haller
- Barbara Hammer: lyrics and history / Chuck Kleinhans
- Chick Strand's experimental ethnography / Maria Pramaggiore
- Amnesis time: the films of Marjorie Keller / Robin Blaetz
- In the ruins of the image: the works of Leslie Thornton / Mary Ann Doane
- Sounds, intervals, and startling images in the films of Abigail Child / Maureen Turim
- Peggy's playhouse: contesting the modernist paradigm / William C. Wees
- Su Friedrich: breaking the rules / Janet Cutler
- The experimental "dunyementary": a cinematic signature effect / Kathleen McHugh
- Women's experimental cinema: some pedagogical challenges / Scott MacDonald.