Crash cinema and the politics of speed and stasis /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Durham, NC :
Duke University Press,
2010.
|
| Rangatū: | e-Duke books scholarly collection.
|
| Ngā marau: | |
| Urunga tuihono: | Click to View |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- "Jerky nearness" : spectatorship, mobility, and collision in early cinema
- Car wreckers and home lovers : the automobile in silent slapstick
- Doing death over : industrial-safety films, accidental-motion studies, and the involuntary crash test dummy
- Disaster time, the Kennedy assassination, and Andy Warhol's Since (1966/2002)
- Film falls apart : Crash, Semen, and Pop
- Crash aesthetics : Amores perros and the dream of cinematic mobility
- The afterlife of Weekend, or, the university found on a scrapheap.