Collectivism after modernism the art of social imagination after 1945 /
I tiakina i:
| Kaituhi rangatōpū: | |
|---|---|
| Ētahi atu kaituhi: | , |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Minneapolis, MN :
University of Minnesota Press,
c2007.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction: periodizing collectivism / Blake Stimson and Gregory Sholette
- Internationaleries: collectivism, the grotesque, and Cold War functionalism / Jelena Stojanovic
- After the "descent to the everyday": Japanese collectivism from Hi Red Center to The Play, 1964-1973 / Reiko Tomii
- Art & language and the international form in Anglo-American collectivism / Chris Gilbert
- The collective camcorder in art and activism / Jesse Drew
- Performing revolution: Arte Calle, Grupo Provisional, and the response to the Cuban National Crisis, 1986-1989 / Rachel Weiss
- The Mexican Pentagon: adventures in collectivism during the 1970s / Rubén Gallo
- Artists' collectives: focus on New York, 1975-2000 / Alan W. Moore
- The production of social space as artwork: protocols of community in the work of Le Groupe Amos and Huit Facettes / Okwui Enwezor
- Beyond representation and affiliation: collective action in post-Soviet Russia / Irina Aristarkhova
- Do-it-yourself geopolitics: cartographies of art in the world / Brian Holmes.