Music divided Bartók's legacy in cold war culture /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Berkeley :
University of California Press,
c2007.
|
| Rangatū: | California studies in 20th-century music ;
7. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Bartók's Concerto for orchestra and the demise of Hungary's "third road"
- A compromised composer : Bartók's music and Western Europe's fresh start
- "Bartók is ours" : the Voice of America and Hungarian control over Bartók's legacy
- Bartók and his publics : defining the "modern classic"
- Beyond the folk song; or, what was Hungarian socialist realist music?
- The "Bartók question" and the politics of dissent : the case of András Mihály
- Epilogue East : Bartók's difficult truths and the Hungarian revolution of 1956
- Epilogue West : Bartók's legacy and George Rochberg's postmodernity.