Entangled voices genre and the religious construction of the self /
Պահպանված է:
| Հիմնական հեղինակ: | |
|---|---|
| Համատեղ հեղինակ: | |
| Ձևաչափ: | Էլեկտրոնային էլ․ գիրք |
| Լեզու: | անգլերեն |
| Հրապարակվել է: |
New York :
Oxford University Press,
1997.
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| Խորագրեր: | |
| Առցանց հասանելիություն: | An electronic book accessible through the World Wide Web; click to view |
| Ցուցիչներ: |
Ավելացրեք ցուցիչ
Չկան պիտակներ, Եղեք առաջինը, ով նշում է այս գրառումը!
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Բովանդակություն:
- Introduction: hearing voices
- ch. 1. The voices of narrative, lyric, and drama: The three characteristics of narrative
- Lyric
- Drama
- ch. 2. "Jogona's great treasure": narrative, lyric, and dramatic intelligibility: Intelligibility: Comprehensiveness and cohesion
- Conclusions
- ch. 3. "Intoxicated with intimacy": the lyric voice in John Donne's Holy sonnets: Unruly autobiography
- Donne's Holy sonnets
- Donne's lyric self
- The lyric voice
- ch. 4. "The circle of chalk": narrative voice in Primo Levi's The periodic table: The periodic table
- The aspiration to narrative
- Narrative instability
- "The rich and messy domain"
- ch. 5. "Survival and distance": the dramatic voice in Robert Wilson's Einstein on the beach: Einstein on the beach
- Dramatic voice in Einstein
- The dramatic voice and religion
- The dramatic self
- ch.. 6. "Harmonized chaos": the mixed voice of Coleridge's Biographia literaria: The biographia literaria
- The form of the Biographia
- Dissociation, fragmentation, and incoherence
- Harmony and unity
- Ramifications: the "mixed" self
- ch. 7. Conclusion: genre and instability.