Make believe in film and fiction visual vs. verbal storytelling /
-д хадгалсан:
| Үндсэн зохиолч: | |
|---|---|
| Байгууллагын зохиогч: | |
| Формат: | Цахим Цахим ном |
| Хэл сонгох: | англи |
| Хэвлэсэн: |
New York :
Palgrave Macmillan,
2006.
|
| Нөхцлүүд: | |
| Онлайн хандалт: | An electronic book accessible through the World Wide Web; click to view |
| Шошгууд: |
Шошго нэмэх
Шошго байхгүй, Энэхүү баримтыг шошголох эхний хүн болох!
|
Агуулга:
- Brutal Beginnings: Imagining Murder/ Watching Murder
- Moving Eyes, Moving Sculptures
- Inside and outside Somebody Else's Fantasy
- Make Believe Is Always a Story
- Single-Handed and Collective Make Believe
- Movies and Hyper-Visual Culture
- La Strada and the Conjecturing Imagination
- Madame Bovary: Linguistic Configurings of Imaginative Corruption
- Rashomon and Wuthering Heights
- Form in Visual Storytelling: Buster Keaton's The General
- Genre and Transforming Sources: High Noon Forenoon
- Seeing and Imagining Ethical Crises: High Noon: Afternoon
- Great Expectations: Insights from the Impossibility of Adaptation
- Magnifying Criminality: Fargo, Film Noir, and A Perfect World
- Innovative Lawfulness: Learning to Read.