Performing the jumbled city : Subversive aesthetics and anticolonial indigeneity in Santiago de Chile /

Performing the jumbled city is a complex artefact beyond its own materiality. Linked to a dedicated website hosting additional audio-visual materials, the book acts as a connecting device allowing an exchange between texts, audio-visual materials, and original artworks, situating it in the emerging...

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Bibliographic Details
Other Authors: Cayuqueo Martinez, Roberto (Editor), Alvarado Lincopi, Claudio, 1988- (Editor), Casagrande, Olivia (Editor)
Format: Electronic eBook
Language:English
Published: Baltimore, Maryland : Project Muse, 2022
Series:Anthropology, creative practice and ethnography.
Book collections on Project MUSE.
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Online Access:Full text available:
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245 0 0 |a Performing the jumbled city :   |b Subversive aesthetics and anticolonial indigeneity in Santiago de Chile /   |c edited by Olivia Casagrande, Claudio Alvarado Lincopi, and Roberto Cayuqueo Martinez. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2022 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2022 
264 4 |c ©2022 
300 |a 1 online resource:   |b illustrations. 
336 |a text  |b txt  |2 rdacontent 
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490 0 |a Anthropology, creative practice and ethnography (ACE) 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references (pages 335-344) and index. 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 |a Performing the jumbled city is a complex artefact beyond its own materiality. Linked to a dedicated website hosting additional audio-visual materials, the book acts as a connecting device allowing an exchange between texts, audio-visual materials, and original artworks, situating it in the emerging field of multi-modal ethnography. From this stance, and as an edited collection co-authored with urban indigenous artists and activists, it interrogates the ways in which knowledge is built and shared. The book is constructed as a particular kind of edited collection, shifting between different authorships. The resulting interaction between individual and collective essays draws together scholars' and activists' perspectives in a rich exchange between textual, visual and dramatic sections, for the book is organised around the original script of the site-specific performance Santiago Waria, and the related exhibition MapsUrbe. Making a claim for creation, rather than recuperation, the essays contained in the book put forward alternative imaginations that disrupt the social and material landscape of the (post)colonial city, defying the spatialities usually assigned to colonised bodies and subjects. As such, and actively engaging with current debates through collective writing by indigenous people raising questions in terms of decolonisation, the book stands as both an academic and a political project, interrogating the relationship between activism and academia, and issues of representation, authorship, and knowledge production. 
588 |a Description based on print version record. 
650 0 |a Indigenous peoples  |z Chile  |z Santiago. 
650 0 |a Cities and towns  |x Philosophy. 
650 0 |a Postcolonialism and the arts  |z Chile  |z Santiago. 
655 7 |a Electronic books.   |2 local 
700 1 |a Cayuqueo Martinez, Roberto,  |e editor. 
700 1 |a Alvarado Lincopi, Claudio,  |d 1988-  |e editor. 
700 1 |a Casagrande, Olivia,  |e editor. 
710 2 |a Project Muse,  |e distributor. 
776 1 8 |i Print version:  |z 9781526161871 
710 2 |a Project Muse.  |e distributor 
830 0 |a Anthropology, creative practice and ethnography. 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Full text available:   |u https://muse.jhu.edu/book/102623/ 
999 |c 235617  |d 235616