Bearbmagovva

Prosody and Purpose in the English Renaissance /

Čájet eará veršuvnnaid (1)
Furkejuvvon:
Bibliográfalaš dieđut
Váldodahkki: Hardison, O. B., Jr. (Osborne Bennett), 1928-1990
Materiálatiipa: Elektrovnnalaš E-girji
Giella:eaŋgalasgiella
Almmustuhtton: Baltimore : Johns Hopkins University Press, 1989.
Ráidu:Book collections on Project MUSE.
Fáttát:
Verse drama, English.
Renaissance.
Literary form.
Epic poetry, English.
English poetry > Early modern.
English poetry > Classical influences.
English language > Early modern > Versification.
Classicism.
Genres litteraires.
Classicisme > Angleterre.
Renaissance > Angleterre.
Poesie anglaise > Influence ancienne.
Poesie epique anglaise > Histoire et critique.
Anglais (Langue) > 1500-1700 (Moderne) > Versification.
Classicism > England.
Renaissance > England.
Verse drama, English > History and criticism.
Epic poetry, English > History and criticism.
English language > Early modern, 1500-1700 > Versification.
English poetry > Early modern, 1500-1700 > History and criticism.
England.
Criticism, interpretation, etc.
Electronic books.
Liŋkkat:Full text available:
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Sisdoallologahallan:
  • pt. 1. Contexts: ch. 1. Prosody and purpose
  • ch. 2. Ars metrica
  • ch. 3. Rude and beggerly ryming: the romance tradition
  • ch. 4. A question of language: Italy and the shaping of Renaissance prosodic theory
  • ch. 5. Notes of instruction
  • pt. 2. Performances: ch. 6. A strange metre worthy to be embraced
  • ch. 7. Jasper Heywood's fourteeners
  • ch. 8. Gorboduc and dramatic blank verse
  • ch. 9. Heroic experiments
  • ch. 10. Speech and verse in later Elizabethan drama
  • ch. 11. True musical delight.

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