Farocki/Godard : Film as Theory /

This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker...

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书目详细资料
主要作者: Pantenburg, Volker, 1973- (Author)
企业作者: Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie
其他作者: Turnbull, Michael, 1959- (Translator)
格式: 电子 电子书
语言:英语
德语
出版: Baltimore, Maryland : Project Muse, 2019
丛编:Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ; Bd. 25.
Film culture in transition.
Book collections on Project MUSE.
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书本目录:
  • Introduction: Two Image Researchers
  • 1. Le film qui pense: Image, Theory, Practice
  • Film as a "Concrete Medium"
  • Film Theories / Film as Theory
  • Difference and Theory
  • Montage and Cinematic Thinking
  • 2. The Camera as Brush
  • Film and Painting: Narrating with Images: Breathless
  • Exploding the Museum: Pierrot le fou
  • Arranging Things: Still Life
  • Processing Images: Passion
  • 3. Deviation as Norm
  • Notes on the Essay Film
  • 4. Cut
  • Interlude in the Editing Room: What an Editing Room is: Interface
  • Montage, toujours: JLG/JLG
  • 5. Taking Pictures
  • Photography and Film: Displacing: The Carabineers
  • Rendering: Before Your Eyes Vietnam
  • Surveying: Images of the World and The Inscription of War
  • 6. Two or Three Ways of Speaking with the Hands: Asking Oneself: La Chinoise / Vent d'est
  • Offering Oneself: Nouvelle vague
  • Wxpressing Oneself: Georg K. Glaser / The Expression of Hands
  • Conclusion.