Farocki/Godard : Film as Theory /
This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker...
محفوظ في:
| المؤلف الرئيسي: | |
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| مؤلف مشترك: | |
| مؤلفون آخرون: | |
| التنسيق: | الكتروني كتاب الكتروني |
| اللغة: | الإنجليزية الألمانية |
| منشور في: |
Baltimore, Maryland :
Project Muse,
2019
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| سلاسل: | Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ;
Bd. 25. Film culture in transition. Book collections on Project MUSE. |
| الموضوعات: | |
| الوصول للمادة أونلاين: | Full text available: |
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جدول المحتويات:
- Introduction: Two Image Researchers
- 1. Le film qui pense: Image, Theory, Practice
- Film as a "Concrete Medium"
- Film Theories / Film as Theory
- Difference and Theory
- Montage and Cinematic Thinking
- 2. The Camera as Brush
- Film and Painting: Narrating with Images: Breathless
- Exploding the Museum: Pierrot le fou
- Arranging Things: Still Life
- Processing Images: Passion
- 3. Deviation as Norm
- Notes on the Essay Film
- 4. Cut
- Interlude in the Editing Room: What an Editing Room is: Interface
- Montage, toujours: JLG/JLG
- 5. Taking Pictures
- Photography and Film: Displacing: The Carabineers
- Rendering: Before Your Eyes Vietnam
- Surveying: Images of the World and The Inscription of War
- 6. Two or Three Ways of Speaking with the Hands: Asking Oneself: La Chinoise / Vent d'est
- Offering Oneself: Nouvelle vague
- Wxpressing Oneself: Georg K. Glaser / The Expression of Hands
- Conclusion.