Theater Figures : The Production of the Nineteenth-Century British Novel /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Columbus :
Ohio State University Press,
2003.
|
| Rangatū: | Book collections on Project MUSE.
|
| Ngā marau: | |
| Urunga tuihono: | Full text available: |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Theatrical reforms: Stage fright and the scene of reading
- Staging a comeback: The remasculinization of the novel
- Heimlich maneuvers: Domesticity, theatricality, and the abject
- Mesdames Bovary: Performative reading, cultural capital, and high art
- Performing distinction: Elevating the literary sphere.