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In examining the relationship between fairy tales and Victorian culture, Molly Clark Hillard concludes that the Victorians were spellbound: novelists, poets, and playwrights were self-avowedly enchanted by these tales. At the same time, Spellbound: The Fairy Tale and the Victorians shows that litera...
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| Format: | Electronic eBook |
| Language: | English |
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Columbus :
The Ohio State University Press,
[2014]
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| Series: | Book collections on Project MUSE.
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| Online Access: | Full text available: |
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| 100 | 1 | |a Hillard, Molly Clark, |d 1971- | |
| 245 | 1 | 0 | |a Tabloid, Inc. : |b Crimes, Newspapers, Narratives / |c Molly Clark Hillard. |
| 264 | 1 | |a Columbus : |b The Ohio State University Press, |c [2014] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2015 | |
| 264 | 4 | |c ©[2014] | |
| 300 | |a 1 online resource (280 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 505 | 0 | 0 | |g Introduction. |t Nostalgia, literacy, and the fairy tale -- |t The novelist and the collector -- |t Pickwick Papers and the end of miscellany -- |t The natural history of Thornfield -- |t Antiquity, novelty, and 'The Key to All Mythologies' -- |t Sleeping Beauty and Victorian temporality -- |t Keats on sleep and beauty -- |t "A perfect form in perfect rest" : Tennyson's "Day dream" -- |t Burne-Jones and the poetic frame -- |t Fairy footsteps and goblin economies -- |t The Great Exhibition : Fairy Palace, Goblin Market -- |t Rossetti's homeopathy -- |t Little Red Riding Hood arrives in London -- |t Little Red Riding Hood's progress -- |t Little Red Riding Hood and other waterside characters -- |g Conclusion. |t Andrew Lang, collaboration, and fairy tale methodologies. |
| 506 | 0 | |a Open Access |f Unrestricted online access |2 star | |
| 520 | |a In examining the relationship between fairy tales and Victorian culture, Molly Clark Hillard concludes that the Victorians were spellbound: novelists, poets, and playwrights were self-avowedly enchanted by these tales. At the same time, Spellbound: The Fairy Tale and the Victorians shows that literary genres were bound to the fairy tale and dependent on its forms and figures to make meaning. But these spellbound literary artists also feared that fairy tales exuded an originative power that pervaded and precluded authored work. In part to dispel the fairy tale's potency, Victorians resolved this tension by treating the form as a nostalgic refuge from an industrial age, a quaint remnant of the pre-literacy of childhood and peasantry, and a form fit not for modern gentlemen but rather for old wives. Through close readings of the novels of Dickens, Eliot, and Charlotte Brontë; the poetry of Tennyson and Christina Rossetti; the visual artistry of Burne-Jones and Punch; and the popular theatricals of dramatists like Planche and Buckingham, Spellbound opens fresh territory into well-traversed titles of the Victorian canon. Hillard demonstrates that these literary forms were all cross-pollinated by the fairy tale and that their authors were-however reluctantly-purveyors of disruptive fairy tale matter over which they had but imperfect control. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Erzähltechnik |2 gnd | |
| 650 | 7 | |a Massenmedien |2 gnd | |
| 650 | 7 | |a Boulevardpresse |2 gnd | |
| 650 | 7 | |a Kriminalfall |2 gnd | |
| 650 | 7 | |a Fairy tales in popular culture. |2 fast |0 (OCoLC)fst02009080 | |
| 650 | 7 | |a Fairy tales in literature. |2 fast |0 (OCoLC)fst00919935 | |
| 650 | 7 | |a Fairy tales. |2 fast |0 (OCoLC)fst00919916 | |
| 650 | 7 | |a English literature. |2 fast |0 (OCoLC)fst00911989 | |
| 650 | 6 | |a Contes de fees dans la litterature. | |
| 650 | 6 | |a Contes de fees dans la culture populaire |z Grande-Bretagne |x Histoire |y 19e siecle. | |
| 650 | 6 | |a Contes de fees |z Grande-Bretagne |x Histoire et critique. | |
| 650 | 6 | |a Litterature anglaise |y 19e siecle |x Histoire et critique. | |
| 650 | 0 | |a Fairy tales in literature. | |
| 650 | 0 | |a Fairy tales in popular culture |z Great Britain |x History |y 19th century. | |
| 650 | 0 | |a Fairy tales |z Great Britain |x History and criticism. | |
| 650 | 0 | |a English literature |y 19th century |x History and criticism. | |
| 651 | 7 | |a Great Britain. |2 fast |0 (OCoLC)fst01204623 | |
| 655 | 7 | |a Critiques litteraires. |2 rvmgf | |
| 655 | 7 | |a Literary criticism. |2 lcgft | |
| 655 | 7 | |a Literary criticism. |2 fast |0 (OCoLC)fst01986215 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Full text available: |u https://muse.jhu.edu/book/27727/ |
| 945 | |a Project MUSE - Archive Complete Supplement III | ||
| 945 | |a Project MUSE - Archive History Supplement III | ||
| 999 | |c 231378 |d 231377 | ||