Sounding the Cape Music, Identity and Politics in South Africa /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Baltimore, Maryland :
Project Muse,
2013.
|
| Putanga: | 1st ed. |
| Rangatū: | Book collections on Project MUSE.
|
| Ngā marau: | |
| Urunga tuihono: | Full text available: |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Part one: The emergence of Creolised identities: Chapter one: Music and identity: a theoretical prologue
- Chapter two: Cape Town's musics: a legacy of Creolisation
- Part two: The dialectics of separation and interweaving: Chapter three: Separation and interweaving in the 20th century: futile separations; Vincent Kolbe's childhood memories
- Chapter four: Separation and interweaving in the 20th century: fertile intertwining; Chris McGregor talks about the blue notes, jazz and South African society; "Soweto Sun", an interview with Rashid Vally by Denis-Constant Martin
- Chapter five: Two decades of freedom
- Chapter six: The musicians' discourse: Cape Town as a musical Potjiekos
- Conclusion: Recognising Creolisation?
- References
- Illustrations
- Musicians interviewed in 2007 and 2009
- Index.