Parodies of Ownership : Hip-Hop Aesthetics and Intellectual Property Law /

I tiakina i:
Ngā taipitopito rārangi puna kōrero
Kaituhi matua: Schur, Richard L.
Hōputu: Tāhiko īPukapuka
Reo:Ingarihi
I whakaputaina: Ann Arbor : University of Michigan Library, 2009.
Rangatū:Book collections on Project MUSE.
Ngā marau:
Urunga tuihono:Full text available:
Ngā Tūtohu: Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
Rārangi ihirangi:
  • From chattel to intellectual property : legal foundations of African American cultural critique
  • Critical race theory, signifyin', and cultural ownership
  • Defining hip-hop aesthetics
  • Claiming ownership in the post--civil rights era
  • "Fair use" and the circulation of racialized texts
  • "Transformative uses" : parody and memory
  • From invisibility to erasure? The consequences of hip-hop aesthetics.