Parodies of Ownership : Hip-Hop Aesthetics and Intellectual Property Law /
I tiakina i:
Kaituhi matua: | |
---|---|
Hōputu: | Tāhiko īPukapuka |
Reo: | Ingarihi |
I whakaputaina: |
Ann Arbor :
University of Michigan Library,
2009.
|
Rangatū: | Book collections on Project MUSE.
|
Ngā marau: | |
Urunga tuihono: | Full text available: |
Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- From chattel to intellectual property : legal foundations of African American cultural critique
- Critical race theory, signifyin', and cultural ownership
- Defining hip-hop aesthetics
- Claiming ownership in the post--civil rights era
- "Fair use" and the circulation of racialized texts
- "Transformative uses" : parody and memory
- From invisibility to erasure? The consequences of hip-hop aesthetics.