War Pictures : Cinema, Violence, and Style in Britain, 1939-1945 /

In 'War Pictures', Puckett looks at how Britain imagined, saw, and sought to represent its war during wartime. How did the material and conceptual pressures of total war affect what it meant to see or to make art? How did culture and, in particular, cinema function as propaganda, as critic...

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Bibliographic Details
Main Author: Puckett, Kent (Author)
Corporate Author: Knowledge Unlatched
Format: Electronic eBook
Language:English
Published: New York : Fordham University Press, 2017.
Series:Book collections on Project MUSE.
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Online Access:Full text available:
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020 |z 082327652X 
035 |a (OCoLC)976089217 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Puckett, Kent,  |e author.  |9 152074 
245 1 0 |a War Pictures :   |b Cinema, Violence, and Style in Britain, 1939-1945 /   |c Kent Puckett. 
264 1 |a New York :  |b Fordham University Press,  |c 2017. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2017 
264 4 |c ©2017. 
300 |a 1 online resource (288 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a World War II: the global, human, and ethical dimension ;  |v [25] 
505 0 |a Introduction -- "But what is it about?" : the life and death of Colonel Blimp -- Pistol's two bodies : Henry V at war -- Celia Johnson's face : before and after brief encounter -- Epilogue : Derek Jarman's war. 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 |a In 'War Pictures', Puckett looks at how Britain imagined, saw, and sought to represent its war during wartime. How did the material and conceptual pressures of total war affect what it meant to see or to make art? How did culture and, in particular, cinema function as propaganda, as criticism, as a form of self-analysis, as a reflection on war and the kinds of violence it tends to unleash? How did British filmmakers, writers, critics, and politicians understand the nature and consequence of total war as it related to ideas about freedom and security, the idea of national character, and the daunting persistence of human violence? 'War Pictures' is also about violence, aesthetics, and conceptual difficulties of war in general; in other words, beginning with a close and critical analysis of a particular cultural scene, the author makes strong and important claims about where the historiography of war, the philosophy of violence, and aesthetics come importantly together. 
588 |a Description based on print version record. 
650 7 |a War films.  |2 fast  |0 (OCoLC)fst01170482  |9 152075 
650 7 |a War and motion pictures.  |2 fast  |0 (OCoLC)fst01919878  |9 152076 
650 7 |a Motion pictures.  |2 fast  |0 (OCoLC)fst01027285  |9 10660 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh  |9 146625 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh  |9 146626 
650 7 |a PERFORMING ARTS / Reference.  |2 bisach 
650 6 |a Guerre mondiale, 1939-1945  |x Cinema et guerre.  |9 152077 
650 6 |a Films de guerre  |z Grande-Bretagne  |x Histoire et critique.  |9 152078 
650 6 |a Cinema  |z Grande-Bretagne  |x Histoire.  |9 152079 
650 0 |a World War, 1939-1945  |x Motion pictures and the war.  |9 152080 
650 0 |a War films  |z Great Britain  |x History and criticism.  |9 152081 
650 0 |a Motion pictures  |z Great Britain  |x History.  |9 152082 
651 7 |a Great Britain.  |2 fast  |0 (OCoLC)fst01204623  |9 4614 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628  |9 138403 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635  |9 139587 
655 7 |a Electronic books.   |2 local 
710 2 |a Knowledge Unlatched.  |9 152083 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Full text available:   |u https://muse.jhu.edu/book/51040/ 
945 |a Project MUSE - 2017 Complete 
945 |a Project MUSE - 2017 Film, Theater and Performing Arts 
999 |c 226231  |d 226230