Victorian Women Writiers, Radical Grandmothers, and the Gendering of God /

"If Victorian women writers yearned for authorial forebears, or, in Elizabeth Barrett Browning's words, for "grandmothers," there were, Gail Turley Houston argues, grandmothers who in the late eighteenth and early nineteenth centuries envisioned powerful female divinities that wo...

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Bibliographic Details
Main Author: Houston, Gail Turley, 1950-
Format: Electronic eBook
Language:English
Published: Columbus : Ohio State University Press, 2013.
Series:Book collections on Project MUSE.
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Online Access:Full text available:
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100 1 |a Houston, Gail Turley,  |d 1950-  |9 145029 
245 1 0 |a Victorian Women Writiers, Radical Grandmothers, and the Gendering of God /   |c Gail Turley Houston. 
264 1 |a Columbus :  |b Ohio State University Press,  |c 2013. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2014 
264 4 |c ©2013. 
300 |a 1 online resource (208 pages). 
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490 0 |a Literature, religion, and postsecular studies 
505 0 |a Introduction : antecedents of the Victorian "goddess story" -- "Gods of the old mythology arise" : Charlotte Brontë's vision of the "goddess story" -- Feminist reincarnations of the Madonna : Anna Jameson and ecclesiastical debates on the immaculate conception -- Invoking "all the godheads" : Elizabeth Barrett Browning's polytheistic aesthetic -- Eve, the female messiah, and the Virgin in Florence Nightingale's personal and public papers -- Ariadne and the Madonna : the hermeneutics of the goddess in George Eliot's Romola. 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 |a "If Victorian women writers yearned for authorial forebears, or, in Elizabeth Barrett Browning's words, for "grandmothers," there were, Gail Turley Houston argues, grandmothers who in the late eighteenth and early nineteenth centuries envisioned powerful female divinities that would reconfigure society. Like many Victorian women writers, they experienced a sense of what Barrett Browning termed "mother-want" inextricably connected to "mother-god-want." These millenarian and socialist feminist grandmothers believed the time had come for women to initiate the earthly paradise that patriarchal institutions had failed to establish. Recuperating a symbolic divine in the form of the Great Mother--a pagan Virgin Mary, a female messiah, and a titanic Eve--Joanna Southcott, Eliza Sharples, Frances Wright, and others set the stage for Victorian women writers to envision and impart emanations of puissant Christian and pagan goddesses, enabling them to acquire the authorial legitimacy patriarchal culture denied them. Though the Victorian authors studied by Houston--Barrett Browning, Charlotte Brontë, Florence Nightingale, Anna Jameson, and George Eliot--often masked progressive rhetoric, even in some cases seeming to reject these foremothers, their radical genealogy reappeared in mystic, metaphysical revisions of divinity that insisted that deity be understood, at least in part, as substantively female."--Publisher's description. 
588 |a Description based on print version record. 
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856 4 0 |z Full text available:   |u https://muse.jhu.edu/book/24234/ 
945 |a Project MUSE - 2012 Literature Supplement II 
945 |a Project MUSE - 2012 Complete Supplement II 
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