Actors and the Art of Performance: Under Exposure
Actors and the Art of Performance: Under Exposure combines the author's two main biographical paths: her professional commitment to the fields of both theatre and philosophy. The art of acting on stage is analysed here not only from the theoretical perspective of a spectator, but also from the...
-д хадгалсан:
| Үндсэн зохиолч: | |
|---|---|
| Байгууллагын зохиогч: | |
| Формат: | Цахим Цахим ном |
| Хэл сонгох: | English |
| Хэвлэсэн: |
London :
Palgrave Macmillan UK : Imprint: Palgrave Macmillan,
2016.
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| Цуврал: | Performance Philosophy
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| Нөхцлүүд: | |
| Онлайн хандалт: | http://dx.doi.org/10.1057/9781137596345 |
| Шошгууд: |
Шошго нэмэх
Шошго байхгүй, Энэхүү баримтыг шошголох эхний хүн болох!
|
Шошго нэмэх MARC
| LEADER | 00000nam a22000005i 4500 | ||
|---|---|---|---|
| 001 | 978-1-137-59634-5 | ||
| 003 | DE-He213 | ||
| 005 | 20180131132525.0 | ||
| 007 | cr nn 008mamaa | ||
| 008 | 160420s2016 xxk| s |||| 0|eng d | ||
| 020 | |a 9781137596345 |9 978-1-137-59634-5 | ||
| 024 | 7 | |a 10.1057/9781137596345 |2 doi | |
| 050 | 4 | |a PN2000-PN3307 | |
| 072 | 7 | |a AN |2 bicssc | |
| 072 | 7 | |a PER011000 |2 bisacsh | |
| 082 | 0 | 4 | |a 792 |2 23 |
| 100 | 1 | |a Valerie, Susanne. |e author. | |
| 245 | 1 | 0 | |a Actors and the Art of Performance: Under Exposure |h [electronic resource] / |c by Susanne Valerie. |
| 264 | 1 | |a London : |b Palgrave Macmillan UK : |b Imprint: Palgrave Macmillan, |c 2016. | |
| 300 | |a XI, 120 p. |b online resource. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 490 | 1 | |a Performance Philosophy | |
| 506 | 0 | |a Open Access | |
| 520 | |a Actors and the Art of Performance: Under Exposure combines the author's two main biographical paths: her professional commitment to the fields of both theatre and philosophy. The art of acting on stage is analysed here not only from the theoretical perspective of a spectator, but also from the perspective of the actor. The author draws on her experience as both a theatre actor and a university professor whose teachings in the art of acting rely heavily on her own experience and also on her philosophical knowledge. The book is unique not only in terms of its content but also in terms of its style. Written in a multiplicity of voices, the text oscillates between philosophical reasoning and narrative forms of writing, including micro-narratives, fables, parables, and inter alia by Carroll, Hoffmann and Kleist. Hence the book claims that a trans-disciplinary dialogue between the art of acting and the art of philosophical thinking calls for an aesthetical research that questions and begins to seek alternatives to traditionally established and ingrained formats of philosophy. | ||
| 650 | 0 | |a Culture |x Study and teaching. | |
| 650 | 0 | |a Theater. | |
| 650 | 1 | 4 | |a Cultural and Media Studies. |
| 650 | 2 | 4 | |a Theatre and Performance Studies. |
| 710 | 2 | |a SpringerLink (Online service) | |
| 773 | 0 | |t Springer eBooks | |
| 776 | 0 | 8 | |i Printed edition: |z 9781137596338 |
| 830 | 0 | |a Performance Philosophy | |
| 856 | 4 | 0 | |u http://dx.doi.org/10.1057/9781137596345 |
| 912 | |a ZDB-2-LCM | ||
| 950 | |a Literature, Cultural and Media Studies (Springer-41173) | ||
| 999 | |c 188788 |d 188788 | ||
Actors and the Art of Performance: Under Exposure 
Chikwakwa remembered : theatre and politics in Zambia 1968-1972 /