Words of witness : black women's autobiography in the post-Brown era /
I tiakina i:
Kaituhi matua: | |
---|---|
Hōputu: | Tāhiko īPukapuka |
Reo: | Ingarihi |
I whakaputaina: |
Madison, Wisconsin :
The University of Wisconsin Press,
[2015]
|
Rangatū: | Wisconsin studies in autobiography.
|
Ngā marau: | |
Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction: Post-Brown political aesthetics
- Beyond the strong black woman in Melba Beals's Warriors Don't Cry
- Reclaiming the radicalism of social interdependence in Rosemary Bray's Unafraid of the Dark: A Memoir
- Honoring the past to move forward in June Jordan's Soldier: A Poet's Childhood
- Collective storytelling as diasporic consciousness in Edwidge Danticat's Brother, I'm Dying
- Cultivating liberatory joy in Eisa Davis's Angela's Mixtape
- Epilogue: Teaching "the people": bodies, material histories, and the project of black feminist autobiography.