Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson /
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| Autor principal: | |
|---|---|
| Formato: | Recurso Eletrônico livro eletrônico |
| Idioma: | inglês |
| Publicado em: |
Austin :
University of Texas Press,
[2013]
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| Assuntos: | |
| Acesso em linha: | An electronic book accessible through the World Wide Web; click to view |
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Sumário:
- Machine generated contents note: Acknowledgments
- Introduction. White-Noise Media Culture and the Films of Paul Thomas Anderson
- Chapter 1. I Remembered Your Face: Indie Cinema, Neo-noir, and
- Narrative Ambiguity in Hard Eight (1996)
- Chapter 2. I Dreamed I Was in a Hollywood Movie: Stars, Hyperreal Sounds of the 1970s, and Cinephiliac Pastiche in Boogie Nights (1997)
- Chapter 3. If That Was in a Movie, I Wouldn't Believe It: Melodramatic Ambivalence, Hypermasculinity, and the Autobiographical Impulse in Magnolia (1999)
- Chapter 4. The Art-House Adam Sandler Movie: Commodity Culture and the Ethereal Ephemerality of Punch-Drunk Love (2002)
- Chapter 5. I Have a Competition in Me: Political Allegory, Artistic Collaboration, and Narratives of Perfection in There Will Be Blood (2007)
- Afterword. On The Master
- Notes
- Select Bibliography
- Index.