Ripping open the set French film design, 1930-1939 /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Oxford :
Peter Lang,
2013.
|
| Rangatū: | New studies in European cinema,
v. 13 |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction
- 1930s set design: contexts and practices
- 1930s set design: conventions and codes
- 1930s designers: praxis in practice
- The poetic realist set
- Micro-design: action spaces and objects
- Cityscapes: Paris plays itself
- Conclusion: decor legacies.