A passage to globalism globalization, identities and South Asian diasporic fiction in Britain /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
New York :
Peter Lang,
c2013.
|
| Rangatū: | South Asian literature, arts, and culture studies,
v. 4 |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Remapping the borders of identity: Globalization and the negotiation of national identities in Hanif Kureishi's My beautiful laundrette, Salman Rushdie's The ground beneath her feet and Ravinder Randhawa's The coral strand
- Imagining a world of inequality: class identities in V.S. Naipaul's Magic seeds, Manzu Islam's Burrow and Hari Kunzru's Transmission
- The new ummah: negotiating Muslim identities in Salman Rushdie's The satanic verses, Hanif Kureishi's The black album, and Monica Ali's Brick lane
- Gendering the world: globalization and gender identities in Farhana Sheikh's The red box, Meera Syal's Life isn't all ha ha hee and Nadeem Aslam's Maps for lost lovers
- Conclusion: Conflicted identities and new directions.