Rival queens actresses, performance, and the eighteenth-century British theater /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Philadelphia :
University of Pennsylvania Press,
c2010.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction: at stage's edge
- The economics of celebrity
- Real, beautiful women: rival queens
- Actresses' memoirs: exceptional virtue
- Actresses and patrons: the theatrical contract
- The actress and performative property: Catherine Clive
- The actress, travesty, and nation: Margaret Woffington
- The actress and material femininity: Frances Abington
- Epilogue: contracted virtue.