Highlife Saturday night popular music and social change in urban Ghana /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Bloomington :
Indiana University Press,
2013.
|
| Ráidu: | African expressive cultures
Ethnomusicology multimedia |
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Lasit fáddágilkoriid
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|
Sisdoallologahallan:
- Introduction: the historical importance of urban Ghana's Saturday nights
- Popular music, political authority, and social possibilities in the southern Gold Coast, 1890-1940
- The making of a middle class: urban social clubs and the evolution of highlife music, 1915-1940
- The friction on the floor: negotiating nightlife in Accra, 1940-1960
- "The highlife was born in Ghana": politics, culture, and the making of a national music, 1950-1965
- "We were the ones who composed the songs": the promises and pitfalls of being a bandsman, 1945-1970.