Aesthetic rivalries word and image in France, 1880-1926 /
Sábháilte in:
| Príomhchruthaitheoir: | |
|---|---|
| Údar corparáideach: | |
| Formáid: | Leictreonach Ríomhleabhar |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
Oxford [England] ; New York :
Peter Lang,
c2012.
|
| Sraith: | Cultural interactions ;
v. 15. |
| Ábhair: | |
| Rochtain ar líne: | An electronic book accessible through the World Wide Web; click to view |
| Clibeanna: |
Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
|
Clár na nÁbhar:
- Introduction
- Interchange and rivalry between the arts
- Hierarchies of the senses in Symbolist criticism : birds of a feather? Gauguin's ambivalent relationship with literary symbolism
- A creative conspiracy : Gauguin's Noa Noa : a Parisian in Tahiti
- Art in theory : word and image in early Cubist criticism
- Mallarme, Picasso, and the aesthetic of the newspaper : poetic gold or paper money?
- Gide's Les faux-monnayeurs : from alchemy to forgery
- Coda. Visual and verbal simultaneity in the early twentieth century.