Bearbmagovva

Screens and veils Maghrebi women's cinema /

Čájet eará veršuvnnaid (1)
Furkejuvvon:
Bibliográfalaš dieđut
Váldodahkki: Martin, Florence, 1959-
Searvvušdahkki: ebrary, Inc
Materiálatiipa: Elektrovnnalaš E-girji
Giella:eaŋgalasgiella
Almmustuhtton: Bloomington : Indiana University Press, 2011.
Ráidu:New directions in national cinemas.
Fáttát:
Motion pictures > Africa, North > History > 20th century.
Motion pictures > Africa, North > History > 21st century.
Women motion picture producers and directors > Africa, North.
Motion pictures > Social aspects > Africa, North.
Women in motion pictures.
Africa, North > In motion pictures.
Electronic books.
Liŋkkat:An electronic book accessible through the World Wide Web; click to view
Fáddágilkorat: Lasit fáddágilkoriid
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
Sisdoallologahallan:
  • Overture: Maghrebi women's transvergent cinema
  • Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978)
  • Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988)
  • Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002)
  • Raja Amari's screen of the haptic: Red satin (Tunisia, 2002)
  • Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002)
  • From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004)
  • Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006)
  • Coda.

Geahča maid