Screens and veils Maghrebi women's cinema /
-д хадгалсан:
| Үндсэн зохиолч: | |
|---|---|
| Байгууллагын зохиогч: | |
| Формат: | Цахим Цахим ном |
| Хэл сонгох: | англи |
| Хэвлэсэн: |
Bloomington :
Indiana University Press,
2011.
|
| Цуврал: | New directions in national cinemas.
|
| Нөхцлүүд: | |
| Онлайн хандалт: | An electronic book accessible through the World Wide Web; click to view |
| Шошгууд: |
Шошго нэмэх
Шошго байхгүй, Энэхүү баримтыг шошголох эхний хүн болох!
|
Агуулга:
- Overture: Maghrebi women's transvergent cinema
- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978)
- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988)
- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002)
- Raja Amari's screen of the haptic: Red satin (Tunisia, 2002)
- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002)
- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004)
- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006)
- Coda.