Screens and veils Maghrebi women's cinema /
Salvato in:
| Autore principale: | |
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| Ente Autore: | |
| Natura: | Elettronico eBook |
| Lingua: | inglese |
| Pubblicazione: |
Bloomington :
Indiana University Press,
2011.
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| Serie: | New directions in national cinemas.
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| Soggetti: | |
| Accesso online: | An electronic book accessible through the World Wide Web; click to view |
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Sommario:
- Overture: Maghrebi women's transvergent cinema
- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978)
- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988)
- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002)
- Raja Amari's screen of the haptic: Red satin (Tunisia, 2002)
- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002)
- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004)
- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006)
- Coda.