Delwedd Flaen

Screens and veils Maghrebi women's cinema /

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Wedi'i Gadw mewn:
Manylion Llyfryddiaeth
Prif Awdur: Martin, Florence, 1959-
Awdur Corfforaethol: ebrary, Inc
Fformat: Electronig eLyfr
Iaith:Saesneg
Cyhoeddwyd: Bloomington : Indiana University Press, 2011.
Cyfres:New directions in national cinemas.
Pynciau:
Motion pictures > Africa, North > History > 20th century.
Motion pictures > Africa, North > History > 21st century.
Women motion picture producers and directors > Africa, North.
Motion pictures > Social aspects > Africa, North.
Women in motion pictures.
Africa, North > In motion pictures.
Electronic books.
Mynediad Ar-lein:An electronic book accessible through the World Wide Web; click to view
Tagiau: Ychwanegu Tag
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
Tabl Cynhwysion:
  • Overture: Maghrebi women's transvergent cinema
  • Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978)
  • Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988)
  • Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002)
  • Raja Amari's screen of the haptic: Red satin (Tunisia, 2002)
  • Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002)
  • From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004)
  • Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006)
  • Coda.

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