Ostrannenie on "strangeness" and the moving image : the history, reception, and relevance of a concept /
Summary: Defamiliarisation or ostrannenie, the artistic technique of forcing the audience to see common things in an unfamiliar or strange way, in order to enhance perception of the familiar, ihas become one of the central concept of modern artistic practice, ranging over movements including Dada, p...
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| Other Authors: | |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Amsterdam :
Amsterdam University Press,
c2010.
|
| Series: | Key debates ;
1. |
| Subjects: | |
| Online Access: | An electronic book accessible through the World Wide Web; click to view |
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| 020 | |z 9789089640796 | ||
| 020 | |z 9089640797 | ||
| 020 | |z 9789048507955 (e-book) | ||
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| 035 | |a (OCoLC)709606110 | ||
| 040 | |a CaPaEBR |c CaPaEBR | ||
| 050 | 1 | 4 | |a PN1993.5.A1 |b O865 2010eb |
| 082 | 0 | 4 | |a 791.43 |2 22 |
| 245 | 0 | 0 | |a Ostrannenie |h [electronic resource] : |b on "strangeness" and the moving image : the history, reception, and relevance of a concept / |c edited by Annie van den Oever. |
| 260 | |a Amsterdam : |b Amsterdam University Press, |c c2010. | ||
| 300 | |a 278 p. : |b ill. | ||
| 490 | 1 | |a The key debates ; |v 1 | |
| 504 | |a Includes bibliographical references (p. 241-254) and indexes. | ||
| 505 | 0 | |a pt. 1. Theory formation : Ostranenie, the avant-garde and the cinema of attractions -- pt. 2. Mutations and appropriations : alienation theories and terminologies -- pt. 3. Cognitive and evolutionary-cognitive approaches to Ostranenie : perception, cognitive gaps and cognitive schemes -- pt. 4. Discussions on Ostranenie, différance, and the uncanny. | |
| 520 | 8 | |a Summary: Defamiliarisation or ostrannenie, the artistic technique of forcing the audience to see common things in an unfamiliar or strange way, in order to enhance perception of the familiar, ihas become one of the central concept of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the Soviet literary critic Victor Shklovskii in 1917, ostrannenie has come to resonate deeply in film studies, where it entered into dialogue with the French philosopher Derrida's concept of differance, bordering on 'differing' and 'deferring'. Striking, provocative and incisive, the essays of the distinguished film scholars in this volume recall the range and depth of a concept that since 1917 changed the trajectory of theoretical inquiry. | |
| 533 | |a Electronic reproduction. |b Palo Alto, Calif. : |c ebrary, |d 2013. |n Available via World Wide Web. |n Access may be limited to ebrary affiliated libraries. | ||
| 650 | 0 | |a Motion pictures |x History. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 700 | 1 | |a Oever, Annie van den, |d 1957- | |
| 710 | 2 | |a ebrary, Inc. | |
| 830 | 0 | |a Key debates ; |v 1. | |
| 856 | 4 | 0 | |u http://site.ebrary.com/lib/daystar/Doc?id=10459502 |z An electronic book accessible through the World Wide Web; click to view |
| 908 | |a 170314 | ||
| 942 | 0 | 0 | |c EB |
| 999 | |c 121501 |d 121501 | ||