The flesh of images : Merleau-Ponty between Painting and Cinema /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Ētahi atu kaituhi: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Albany, New York :
SUNY Press,
2015.
|
| Rangatū: | SUNY series in contemporary continental philosophy.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction : The flesh and the thinking of the visual today
- Flesh : towards the history of a misunderstanding
- It takes a long time to become wild : Gauguin according to Merleau-Ponty, Merleau-Ponty according to Gauguin
- 'Making visible' : Merleau-Ponty and Paul Klee
- The philosopher and the moviemaker : Merleau-Ponty and cinematic thinking
- The light of the flesh : anti-platonistic instances and neoplatonic traces in the later Merleau-Ponty's thinking
- The sensible ideas between life and philosophy.