A composer's guide to game music /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Cambridge, Massachusetts :
The MIT Press,
[2014]
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Why would you want to write music for games?
- A composer's creative skillset
- Immersion
- The importance of themes
- Music genres and game genres
- Roles and functions of music in games
- Preparation and workflow
- The development team
- Music needs of the game
- Linear music in games
- Interactive music in games
- Interactive music in games
- A game composer's technical skillset
- Acting like a business and finding work.