Cinema at the margins /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
London ; New York :
Anthem Press,
[2013]
|
| Rangatū: | New perspectives on world cinema
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Part 1. Genre
- The future catches up with the past: Peter Bogdanovich's targets
- Surrealism and sudden death in the films of Lucio Fulci
- Flash Gordon and the 1930s and 40s science fiction serial
- Just the facts, man: the complicated genesis of television's Dragnet
- The disquieting aura of Fabián Bielinsky
- Part 2. History
- Fast worker: the films of Sam Newfield
- The power of resistance: Les Dames du Bois de Boulogne
- Beyond characterization: performance in 1960s
- Experimental cinema
- Vanishing point: the last days of film
- Part 3. Interviews
- "Let the sleepers sleep and the haters hate": an interview with Dale "Rage" Resteghini
- Margin call: an interview with J.C. Chandor
- "All my films are personal": an interview with Pat Jackson
- Working within the system: an interview with Gerry O'Hara
- Andrew V. McLaglen: last of the Hollywood professionals
- Pop star, director, actor: an interview with Michael Sarne.