Automotive prosthetic : technological mediation and the car in conceptual art /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Austin :
University of Texas Press,
[2014]
|
| Putanga: | First edition. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Conceptual car art: rethinking conceptualism through technology
- Mobile perception and the automotive prosthetic: photoconceptualism, the car, and urban space
- The nows of the automotive prosthetic: moving images, time, and the car
- Communication space: automotive urbanism in Dan Graham's work
- Hummer: the cultural militarism of art based on the SUV
- Richard Prince: the fetish and automotive maleficium
- Conclusion: the "freedom" of automotive existence.