Black resonance : iconic women singers and African American literature /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
New Brunswick, New Jersey :
Rutgers University Press,
2013.
|
| Rangatū: | American Literatures Initiative
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction: Black resonance
- Vivid lyricism: Richard Wright and Bessie Smith's blues
- The timbre of sincerity: Mahalia Jackson's gospel sound and Ralph Ellison's Invisible Man
- Understatement: James Baldwin, Bessie Smith, and Billie Holiday
- Haunting: Gayl Jones's Corregidora and Billie Holiday's "strange Fruit"
- Signature voices: Nikki Giovanni, Aretha Franklin, and the Black Arts movement
- Epilogue: "At Last": Etta James, poetry, hip hop.