Richard E. Norman and race filmmaking /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Ētahi atu kaituhi: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Bloomington :
Indiana University Press,
[2014]
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Foreword by Michael T. Martin
- Introduction: new visions of opportunity
- Race matters: the evolution of race filmmaking
- "Have you talent?": Norman's early career
- "Not a white man in the cast": Norman's early race films
- "Taking two hides from the ox": The bull-dogger and The crimson skull
- "A risky experiment": Zircon and regeneration
- "You know we have the goods": The flying ace and Black gold
- "It takes a darn good one to stick": Norman's later career
- Afterword
- Appendix 1: shooting script: The green eyed monster
- Appendix 2: shooting script (fragment) and scenario: The bull-dogger
- Appendix 3: shooting script: The crimson skull.