Reel vulnerability : power, pain, and gender in contemporary American film and television /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
New Brunswick, New Jersey :
Rutgers University Press,
[2013]
|
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
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Sisdoallologahallan:
- Unmaking vulnerability
- part 1.
- The cinematic construction of vulnerability
- The furies, the men, and the method: cinematic languages of vulnerability
- Victimized, violent and damned: identification and radical vulnerability in The deer hunter, Full metal jacket, and Casualties of war
- part 2.
- New vulnerability after The Cold War
- The body at war: sexual politics and resistant vulnerability in Saving Private Ryan and G.I. Jane
- Matthew Shepard's body and the politics of queer vulnerability in Boys don't cry and The Laramie Project
- part 3.
- Vulnerability beyond the body
- The violated body after 9/11: torture, and the legacy of vulnerability in 24 and Battlestar Galactica
- Vulnerability by proxy: Deadwood and the future of television form
- Afterword
- Female power and Tarantino's basterds.