Reel vulnerability : power, pain, and gender in contemporary American film and television /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
New Brunswick, New Jersey :
Rutgers University Press,
[2013]
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Unmaking vulnerability
- part 1.
- The cinematic construction of vulnerability
- The furies, the men, and the method: cinematic languages of vulnerability
- Victimized, violent and damned: identification and radical vulnerability in The deer hunter, Full metal jacket, and Casualties of war
- part 2.
- New vulnerability after The Cold War
- The body at war: sexual politics and resistant vulnerability in Saving Private Ryan and G.I. Jane
- Matthew Shepard's body and the politics of queer vulnerability in Boys don't cry and The Laramie Project
- part 3.
- Vulnerability beyond the body
- The violated body after 9/11: torture, and the legacy of vulnerability in 24 and Battlestar Galactica
- Vulnerability by proxy: Deadwood and the future of television form
- Afterword
- Female power and Tarantino's basterds.