Fifties ethnicities : the ethnic novel and mass culture at midcentury /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Albany :
State University of New York Press,
[2013]
|
| Rangatū: | SUNY series in multiethnic literature
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction: Cultural narratives and American identities
- The land of plenty: American popular culture and the literary immigrant in C.Y. Lee's The Flower Drum Song and Vladimir Nabokov's Lolita
- What's for sale: consumer fantasy, American women, and narratives of social mobility in Gwendolyn Brooks's Maud Martha and The I Love Lucy Show
- The celluloid fantasy: negotiating the ethnic male star image in William Saroyan's Rock Wagram
- Leaving the dark room in a lighter mood: narrating invisibility in Douglas Sirk's Imitation of Life and Ralph Ellison's Invisible Man.