The art of censorship in postwar Japan /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Honolulu :
University of Hawaiʻi Press,
[2012]
|
| Rangatū: | Studies of the Weatherhead East Asian Institute, Columbia University
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Lady Chatterley's censor (1951-1957)
- The legacy of Chatterley : Sade (1961-1969) and beyond
- Dirt for politics' sake : the Black Snow trial (1965-1969)
- Dirt for money's sake : the Nikkatsu Roman porn trial (1972-1980)
- Pornographic adaptations of the classics : The safflower (1948-1950) and The record of the night battles at Dannoura (1970-1976)
- Kafū : censored, dead or alive (1948-1950, 1973-1980)
- A picture's worth a thousand words : in the realm of the senses (1976-1982)
- Japan's first manga trial : Honey room (2002-2007).